NECRO Fangoria Interview

Peace to Fangoria,

In a FANGORIA MUSICK EXCLUSIVE, Matt Molgaard tracks down legendary Brooklyn rapper NECRO to discuss his unique brand of DEATH RAP; his plans for the corpse of Michael Jackson; his distain for the world of “horrorcore”; and the fright films that continue to inspire.

Read on for the interview in this installment of RAPPED & TAGGED…


necro1Matt Molgaard/Fangoria:
First off Necro, let’s talk about some of the things that have inspired you throughout your career, whether it be music, movies – fact or fiction, what helps fuel you as an artist?

Necro: Dead cadaver, that’s the biggest influence hands down, rotted corpse covered in mucus, especially if its a cop’s body, that adds to the pleasure.

Fango: You’ve enjoyed quite a bit of success throughout the years. Have you found it to be a bigger battle to obtain that success because you cater to fans of the horrorcore sub-genre of rap, which some feel is a fading form of the craft?

Necro: I don’t rap [horrorcore] or cater to horrorcore, that genre title is for faggots… those kids listen to garbage. I make real hip-hop that happens to be brutal, so I touch on many subjects. Life and death, gore, violence, porn, sex, thug life, the streets. Necro is way more than one thing, and when I rap brutal I created the term called DEATH RAP to describe my style of super violent lyrics, which are inspired by a huge spectrum like hemoglobin splattered on Bob Ross’ filthy canvas as well as his afro.

Fango: The name Necro has become practically synonymous with shock value. Was that always your goal, or is that just the uncut mind of Necro – no strings of any form attached?

Necro: My music is shocking because its actually good, like “WOW this shit is hot, so much hiphop sucks and this guy Necro is doing it, its hardcore, raw, awesome beats”, so people are shocked cuz they thought hiphop was totally dead, but it remains alive through me. So shock is great to call my music, like being hooked up to 1,000 volts through ya nipples, but nothing I say should shock someone to where they are surprised, because it’s all life and goes on everyday… anyone shocked that way is a fucking pussy and should crawl back into their box or under their rock and wait for locusts to eat them.

necro2

Fango: Any goals you’ve got that at this point you have not yet accomplished?

Necro: Yes, I wanna dig up MJ’s corpse and sell it to an Arab Sheik in Dubai, I have an offer for it over there and I am working out the logistics, I can make 45 million for the job.

Fango: I know you’ve got a new album due out early next year. What can you tell me about the album?

Necro: It’s called “DIE!” and it will be the most rugged brutal original hiphop album of 2010, expect insanity as usual.

Fango: Do you have a precise release date yet?

Necro: January/Feb 2010 is the tentative, as we get close I will lock down the exact date.


Fango: How about touring information – any dates lined up (yet) to promote this upcoming release?

Necro: No dates yet, I just finished Rock The Bells so I am recovering from that, resting my voice, focusing on this new album as a priority.

Fango: Let’s switch gears a little bit and talk about movies for a few. There’s a lot of new flicks coming out in the next couple months; a new HALLOWEEN movie, a new FINAL DESTINATION flick, DISTRICT 9 and THE COLLECTOR were just recently released. Anything you’ve seen lately that’s impressed you, or for the matter – anything you’re looking forward to?

Necro: DISTRICT 9 was amazing, the whole concept was bile, enjoyed that alot. THE FINAL DESTINATIONs are always cool. SAW 6 should be dope, HALLOWEEN is ok. I want another HILLS HAVE EYES like the first remake, another TEXAS CHAIN [SAW MASSACRE] like the one where Leatherface works his job. That was sick!

Best thing I have seen recently was DISTRICT 9 though, that was bile.

We need some original horrors, nothing is coming out that’s original, give me HIGH TENSION 2, that was sick.

Fango: Tell me, your opinion: best horror movie of all time?

Necro: BLOOD SUCKING FREAKS.

Fango: How about albums – best horror album of all time?

Necro: What the fuck is a horror album?? That sounds gay, it’s definitely not rap is it?? When I think of horror record, I think of Boris Karloff on those old horror records. Best brutal violent horror-like record is my DEATH RAP album, that’s the best record put together technically for evil shit. I rap the Manson murders on one track, I rap an autopsy on another, I rap brutal mechanical style electric style, I flipped many different flows on that, but its not a horror record, its a super brutal evil hardcore maybe with some horror in it.

We need a better term for shit, DEATH RAP is my term, but super violent hiphop is better than anything. That isn’t respected – the mainstream shits on the term horror when you mix it with hiphop, when the biggest movies sometimes are horror movies – can’t explain it. But that fag Russell Simmons seemed to have coined the term then he went on to suck a man’s dick, so I’m disgusted, just leave it alone and realize, I am NECRO The Godfather of the GORE genre. DIE!

Fango: Anything you’d like to say those fans who have continued to follow you through the years?

Necro: I love you all, support the kid, go to my websites
www.necrohiphop.com
www.myspace.com/necro
www.myspace.com/ronbraunstein1 (my acting page)

NECRO Fangoria Interview

Peace to Fangoria,

In a FANGORIA MUSICK EXCLUSIVE, Matt Molgaard tracks down legendary Brooklyn rapper NECRO to discuss his unique brand of DEATH RAP; his plans for the corpse of Michael Jackson; his distain for the world of “horrorcore”; and the fright films that continue to inspire.

Read on for the interview in this installment of RAPPED & TAGGED…


necro1Matt Molgaard/Fangoria:
First off Necro, let’s talk about some of the things that have inspired you throughout your career, whether it be music, movies – fact or fiction, what helps fuel you as an artist?

Necro: Dead cadaver, that’s the biggest influence hands down, rotted corpse covered in mucus, especially if its a cop’s body, that adds to the pleasure.

Fango: You’ve enjoyed quite a bit of success throughout the years. Have you found it to be a bigger battle to obtain that success because you cater to fans of the horrorcore sub-genre of rap, which some feel is a fading form of the craft?

Necro: I don’t rap [horrorcore] or cater to horrorcore, that genre title is for faggots… those kids listen to garbage. I make real hip-hop that happens to be brutal, so I touch on many subjects. Life and death, gore, violence, porn, sex, thug life, the streets. Necro is way more than one thing, and when I rap brutal I created the term called DEATH RAP to describe my style of super violent lyrics, which are inspired by a huge spectrum like hemoglobin splattered on Bob Ross’ filthy canvas as well as his afro.

Fango: The name Necro has become practically synonymous with shock value. Was that always your goal, or is that just the uncut mind of Necro – no strings of any form attached?

Necro: My music is shocking because its actually good, like “WOW this shit is hot, so much hiphop sucks and this guy Necro is doing it, its hardcore, raw, awesome beats”, so people are shocked cuz they thought hiphop was totally dead, but it remains alive through me. So shock is great to call my music, like being hooked up to 1,000 volts through ya nipples, but nothing I say should shock someone to where they are surprised, because it’s all life and goes on everyday… anyone shocked that way is a fucking pussy and should crawl back into their box or under their rock and wait for locusts to eat them.

necro2

Fango: Any goals you’ve got that at this point you have not yet accomplished?

Necro: Yes, I wanna dig up MJ’s corpse and sell it to an Arab Sheik in Dubai, I have an offer for it over there and I am working out the logistics, I can make 45 million for the job.

Fango: I know you’ve got a new album due out early next year. What can you tell me about the album?

Necro: It’s called “DIE!” and it will be the most rugged brutal original hiphop album of 2010, expect insanity as usual.

Fango: Do you have a precise release date yet?

Necro: January/Feb 2010 is the tentative, as we get close I will lock down the exact date.


Fango: How about touring information – any dates lined up (yet) to promote this upcoming release?

Necro: No dates yet, I just finished Rock The Bells so I am recovering from that, resting my voice, focusing on this new album as a priority.

Fango: Let’s switch gears a little bit and talk about movies for a few. There’s a lot of new flicks coming out in the next couple months; a new HALLOWEEN movie, a new FINAL DESTINATION flick, DISTRICT 9 and THE COLLECTOR were just recently released. Anything you’ve seen lately that’s impressed you, or for the matter – anything you’re looking forward to?

Necro: DISTRICT 9 was amazing, the whole concept was bile, enjoyed that alot. THE FINAL DESTINATIONs are always cool. SAW 6 should be dope, HALLOWEEN is ok. I want another HILLS HAVE EYES like the first remake, another TEXAS CHAIN [SAW MASSACRE] like the one where Leatherface works his job. That was sick!

Best thing I have seen recently was DISTRICT 9 though, that was bile.

We need some original horrors, nothing is coming out that’s original, give me HIGH TENSION 2, that was sick.

Fango: Tell me, your opinion: best horror movie of all time?

Necro: BLOOD SUCKING FREAKS.

Fango: How about albums – best horror album of all time?

Necro: What the fuck is a horror album?? That sounds gay, it’s definitely not rap is it?? When I think of horror record, I think of Boris Karloff on those old horror records. Best brutal violent horror-like record is my DEATH RAP album, that’s the best record put together technically for evil shit. I rap the Manson murders on one track, I rap an autopsy on another, I rap brutal mechanical style electric style, I flipped many different flows on that, but its not a horror record, its a super brutal evil hardcore maybe with some horror in it.

We need a better term for shit, DEATH RAP is my term, but super violent hiphop is better than anything. That isn’t respected – the mainstream shits on the term horror when you mix it with hiphop, when the biggest movies sometimes are horror movies – can’t explain it. But that fag Russell Simmons seemed to have coined the term then he went on to suck a man’s dick, so I’m disgusted, just leave it alone and realize, I am NECRO The Godfather of the GORE genre. DIE!

Fango: Anything you’d like to say those fans who have continued to follow you through the years?

Necro: I love you all, support the kid, go to my websites
www.necrohiphop.com
www.myspace.com/necro
www.myspace.com/ronbraunstein1 (my acting page)

NECRO Fangoria Interview

Peace to Fangoria,

In a FANGORIA MUSICK EXCLUSIVE, Matt Molgaard tracks down legendary Brooklyn rapper NECRO to discuss his unique brand of DEATH RAP; his plans for the corpse of Michael Jackson; his distain for the world of “horrorcore”; and the fright films that continue to inspire.

Read on for the interview in this installment of RAPPED & TAGGED…


necro1Matt Molgaard/Fangoria:
First off Necro, let’s talk about some of the things that have inspired you throughout your career, whether it be music, movies – fact or fiction, what helps fuel you as an artist?

Necro: Dead cadaver, that’s the biggest influence hands down, rotted corpse covered in mucus, especially if its a cop’s body, that adds to the pleasure.

Fango: You’ve enjoyed quite a bit of success throughout the years. Have you found it to be a bigger battle to obtain that success because you cater to fans of the horrorcore sub-genre of rap, which some feel is a fading form of the craft?

Necro: I don’t rap [horrorcore] or cater to horrorcore, that genre title is for faggots… those kids listen to garbage. I make real hip-hop that happens to be brutal, so I touch on many subjects. Life and death, gore, violence, porn, sex, thug life, the streets. Necro is way more than one thing, and when I rap brutal I created the term called DEATH RAP to describe my style of super violent lyrics, which are inspired by a huge spectrum like hemoglobin splattered on Bob Ross’ filthy canvas as well as his afro.

Fango: The name Necro has become practically synonymous with shock value. Was that always your goal, or is that just the uncut mind of Necro – no strings of any form attached?

Necro: My music is shocking because its actually good, like “WOW this shit is hot, so much hiphop sucks and this guy Necro is doing it, its hardcore, raw, awesome beats”, so people are shocked cuz they thought hiphop was totally dead, but it remains alive through me. So shock is great to call my music, like being hooked up to 1,000 volts through ya nipples, but nothing I say should shock someone to where they are surprised, because it’s all life and goes on everyday… anyone shocked that way is a fucking pussy and should crawl back into their box or under their rock and wait for locusts to eat them.

necro2

Fango: Any goals you’ve got that at this point you have not yet accomplished?

Necro: Yes, I wanna dig up MJ’s corpse and sell it to an Arab Sheik in Dubai, I have an offer for it over there and I am working out the logistics, I can make 45 million for the job.

Fango: I know you’ve got a new album due out early next year. What can you tell me about the album?

Necro: It’s called “DIE!” and it will be the most rugged brutal original hiphop album of 2010, expect insanity as usual.

Fango: Do you have a precise release date yet?

Necro: January/Feb 2010 is the tentative, as we get close I will lock down the exact date.


Fango: How about touring information – any dates lined up (yet) to promote this upcoming release?

Necro: No dates yet, I just finished Rock The Bells so I am recovering from that, resting my voice, focusing on this new album as a priority.

Fango: Let’s switch gears a little bit and talk about movies for a few. There’s a lot of new flicks coming out in the next couple months; a new HALLOWEEN movie, a new FINAL DESTINATION flick, DISTRICT 9 and THE COLLECTOR were just recently released. Anything you’ve seen lately that’s impressed you, or for the matter – anything you’re looking forward to?

Necro: DISTRICT 9 was amazing, the whole concept was bile, enjoyed that alot. THE FINAL DESTINATIONs are always cool. SAW 6 should be dope, HALLOWEEN is ok. I want another HILLS HAVE EYES like the first remake, another TEXAS CHAIN [SAW MASSACRE] like the one where Leatherface works his job. That was sick!

Best thing I have seen recently was DISTRICT 9 though, that was bile.

We need some original horrors, nothing is coming out that’s original, give me HIGH TENSION 2, that was sick.

Fango: Tell me, your opinion: best horror movie of all time?

Necro: BLOOD SUCKING FREAKS.

Fango: How about albums – best horror album of all time?

Necro: What the fuck is a horror album?? That sounds gay, it’s definitely not rap is it?? When I think of horror record, I think of Boris Karloff on those old horror records. Best brutal violent horror-like record is my DEATH RAP album, that’s the best record put together technically for evil shit. I rap the Manson murders on one track, I rap an autopsy on another, I rap brutal mechanical style electric style, I flipped many different flows on that, but its not a horror record, its a super brutal evil hardcore maybe with some horror in it.

We need a better term for shit, DEATH RAP is my term, but super violent hiphop is better than anything. That isn’t respected – the mainstream shits on the term horror when you mix it with hiphop, when the biggest movies sometimes are horror movies – can’t explain it. But that fag Russell Simmons seemed to have coined the term then he went on to suck a man’s dick, so I’m disgusted, just leave it alone and realize, I am NECRO The Godfather of the GORE genre. DIE!

Fango: Anything you’d like to say those fans who have continued to follow you through the years?

Necro: I love you all, support the kid, go to my websites
www.necrohiphop.com
www.myspace.com/necro
www.myspace.com/ronbraunstein1 (my acting page)

Malignaggi was Robbed Last Night

diaz

I’m not sure if any of you watched the HBO fights last night but I gotta say boxing has hit another low, If youve ever seen boxing you can tell when a boxer is winning and the other is clearly losing, you can judge this round per pound on how beat up the other man is not only by how battered his face and body become but you can watch them throw fists and you can see whos clearly landing and scoring punches. Last night that person was Paulie Malignaggi an Italian American boxer from NYC, sadly he wasnt the victor in the bout his opponent Juan Diaz a Mexican American boxer from Texas where the fight was held was. Anyone who saw the fight except for Diaz’s family and friends and a stadium filled with cheering Diaz fans and a few judges who were either paid, blind, retarded or just scumbags would say he lost. It was dispicable Malignaggi screamed at the camera last night fuck boxing and boxing is shit, boxing sucks and the only reason he does it is for the pay day. Paulie out boxed the other man in a boxing match and he loses its a crying shame  Here’s a recap from ESPN,

HOUSTON — Juan Diaz thinks he proved that he’s a top contender again. Paulie Malignaggi thinks three judges in Texas prevented him from becoming one.

Diaz beat Malignaggi in a 12-round, unanimous decision on Saturday night to win the vacant NABO junior welterweight championship.

Diaz, a Houston native, fought the last 10 rounds with a bloody cut over his left eye. But the hometown crowd at the Toyota Center cheered every punch Diaz landed, and Malignaggi thought that swayed the judges.

The scorecards were 118-110, 116-112 and 115-113 in favor of Diaz. Malignaggi called the decision “ridiculous” and asked for a rematch in New York City, his hometown.

Diaz (35-2) ran to the four corners of the ring and saluted the cheering fans after the decision was announced, giving him a bounce-back win after he was knocked out by Juan Manuel Marquez at the Toyota Center in February.

“I can fight at 135 pounds, I can fight at 140,” said Diaz. “I think I’m ready to take on anybody now. Whoever wants to fight me, bring it on.”

Marquez will fight Floyd Mayweather Jr. on Sept. 19 and Diaz hopes his victory on Saturday night puts him in line to face the winner of that one. He said he’d also welcome a rematch with Malignaggi.

Golden Boy promoter Oscar De La Hoya said Ricky Hatton is another possible opponent for Diaz.

“We like going to the fighter and saying, ‘These are opportunities, but who would you like to fight?” De La Hoya said. “We’ll discuss it when the time is right.”

Malignaggi (27-2) said before the fight that he was worried about the judges, especially Gale Van Hoy and Raul Caiz. He pointed out that those two were judges when Houston native Rocky Juarez earned a draw with featherweight champion Chris John at the Toyota Center in February, a decision that Malignaggi thought was unfair.

Van Hoy had the 118-110 scorecard for Saturday’s main even and Malignaggi blasted the judge again. Caiz scored it 115-113 and the third judge, David Sutherland, had the 116-112 score.

“You don’t see too many good decisions in Texas, with out-of-towners against Texas fighters,” Malignaggi said. “I put my two cents in before. I said, ‘I don’t want Gale Van Hoy and I don’t want Raul Caiz.’ Raul had it pretty close. I thought I won the fight, but at least he had it close.

“But there is no way anyone won that fight 118-110,” Malignaggi said. “Gale Van Hoy just filled out his scorecard, on purpose, to (rob) Paulie Malignaggi. I don’t know how Gale Van Hoy keeps getting jobs.”

De La Hoya also questioned Van Hoy’s scorecard, but not the outcome of the fight.

“I’ve been in close fights, just like every other fighter has been in close fights,” De La Hoya said. “Sometimes you’re on the short end. That’s the way boxing is.”

Malignaggi landed 191 punches to Diaz’s 178, according to the official statistics. Malignaggi threw 949 punches to Diaz’s 663 and Malignaggi controlled the hard-charging Diaz with sharp left jabs and quick combinations.

Diaz hit Malignaggi with a hard right in the last minute of the second round, but by the time the bell sounded, Diaz had blood trickling down his face.

Diaz was also cut over his right eye in the eighth round of the Marquez fight, and Marquez knocked him out in the ninth. Diaz fought through it this time, landing several hard shots in the later rounds.

“I lost two of my fights because of cuts,” Diaz said. “This time, I let my corner work on it, I stayed calm, relaxed and everything worked out.”

Malignaggi, dressed in flourescent purple trunks with black and white tassles, kept attacking Diaz’s eye and the cut started bleeding again in the 10th round.

The hometown crowd chanted “Diaz! Diaz!” in every round, but Malignaggi seemed to have more energy at the end. The two exchanged hard lefts in the final minute and embraced in the middle of the ring when the bell sounded.

Earlier Saturday night, Robert Guerrero stopped Malcolm Klassen in a 12-round, unanimous decision to take Klassen’s IBF junior lightweight belt.

Klassen started landing hard right hands in the fifth round and opened a cut over Guerrero’s left eye by the seventh. Guerrero also said he broke his left hand during the fight, but he used his significant height and reach advantage to keep Klassen at bay.

Also, Danny Jacobs earned the vacant NABO middleweight belt with a 10-round decision over Ishe Smith.

Copyright 2009 by The Associated Press

Malignaggi was Robbed Last Night

diaz

I’m not sure if any of you watched the HBO fights last night but I gotta say boxing has hit another low, If youve ever seen boxing you can tell when a boxer is winning and the other is clearly losing, you can judge this round per pound on how beat up the other man is not only by how battered his face and body become but you can watch them throw fists and you can see whos clearly landing and scoring punches. Last night that person was Paulie Malignaggi an Italian American boxer from NYC, sadly he wasnt the victor in the bout his opponent Juan Diaz a Mexican American boxer from Texas where the fight was held was. Anyone who saw the fight except for Diaz’s family and friends and a stadium filled with cheering Diaz fans and a few judges who were either paid, blind, retarded or just scumbags would say he lost. It was dispicable Malignaggi screamed at the camera last night fuck boxing and boxing is shit, boxing sucks and the only reason he does it is for the pay day. Paulie out boxed the other man in a boxing match and he loses its a crying shame  Here’s a recap from ESPN,

HOUSTON — Juan Diaz thinks he proved that he’s a top contender again. Paulie Malignaggi thinks three judges in Texas prevented him from becoming one.

Diaz beat Malignaggi in a 12-round, unanimous decision on Saturday night to win the vacant NABO junior welterweight championship.

Diaz, a Houston native, fought the last 10 rounds with a bloody cut over his left eye. But the hometown crowd at the Toyota Center cheered every punch Diaz landed, and Malignaggi thought that swayed the judges.

The scorecards were 118-110, 116-112 and 115-113 in favor of Diaz. Malignaggi called the decision “ridiculous” and asked for a rematch in New York City, his hometown.

Diaz (35-2) ran to the four corners of the ring and saluted the cheering fans after the decision was announced, giving him a bounce-back win after he was knocked out by Juan Manuel Marquez at the Toyota Center in February.

“I can fight at 135 pounds, I can fight at 140,” said Diaz. “I think I’m ready to take on anybody now. Whoever wants to fight me, bring it on.”

Marquez will fight Floyd Mayweather Jr. on Sept. 19 and Diaz hopes his victory on Saturday night puts him in line to face the winner of that one. He said he’d also welcome a rematch with Malignaggi.

Golden Boy promoter Oscar De La Hoya said Ricky Hatton is another possible opponent for Diaz.

“We like going to the fighter and saying, ‘These are opportunities, but who would you like to fight?” De La Hoya said. “We’ll discuss it when the time is right.”

Malignaggi (27-2) said before the fight that he was worried about the judges, especially Gale Van Hoy and Raul Caiz. He pointed out that those two were judges when Houston native Rocky Juarez earned a draw with featherweight champion Chris John at the Toyota Center in February, a decision that Malignaggi thought was unfair.

Van Hoy had the 118-110 scorecard for Saturday’s main even and Malignaggi blasted the judge again. Caiz scored it 115-113 and the third judge, David Sutherland, had the 116-112 score.

“You don’t see too many good decisions in Texas, with out-of-towners against Texas fighters,” Malignaggi said. “I put my two cents in before. I said, ‘I don’t want Gale Van Hoy and I don’t want Raul Caiz.’ Raul had it pretty close. I thought I won the fight, but at least he had it close.

“But there is no way anyone won that fight 118-110,” Malignaggi said. “Gale Van Hoy just filled out his scorecard, on purpose, to (rob) Paulie Malignaggi. I don’t know how Gale Van Hoy keeps getting jobs.”

De La Hoya also questioned Van Hoy’s scorecard, but not the outcome of the fight.

“I’ve been in close fights, just like every other fighter has been in close fights,” De La Hoya said. “Sometimes you’re on the short end. That’s the way boxing is.”

Malignaggi landed 191 punches to Diaz’s 178, according to the official statistics. Malignaggi threw 949 punches to Diaz’s 663 and Malignaggi controlled the hard-charging Diaz with sharp left jabs and quick combinations.

Diaz hit Malignaggi with a hard right in the last minute of the second round, but by the time the bell sounded, Diaz had blood trickling down his face.

Diaz was also cut over his right eye in the eighth round of the Marquez fight, and Marquez knocked him out in the ninth. Diaz fought through it this time, landing several hard shots in the later rounds.

“I lost two of my fights because of cuts,” Diaz said. “This time, I let my corner work on it, I stayed calm, relaxed and everything worked out.”

Malignaggi, dressed in flourescent purple trunks with black and white tassles, kept attacking Diaz’s eye and the cut started bleeding again in the 10th round.

The hometown crowd chanted “Diaz! Diaz!” in every round, but Malignaggi seemed to have more energy at the end. The two exchanged hard lefts in the final minute and embraced in the middle of the ring when the bell sounded.

Earlier Saturday night, Robert Guerrero stopped Malcolm Klassen in a 12-round, unanimous decision to take Klassen’s IBF junior lightweight belt.

Klassen started landing hard right hands in the fifth round and opened a cut over Guerrero’s left eye by the seventh. Guerrero also said he broke his left hand during the fight, but he used his significant height and reach advantage to keep Klassen at bay.

Also, Danny Jacobs earned the vacant NABO middleweight belt with a 10-round decision over Ishe Smith.

Copyright 2009 by The Associated Press

Ghostface: Wizdom of the Week #1

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Ghostface: Wizdom of the Week #1

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Tekitha – Bitter Sweet x Alone

tekitha

Tekitha with 2 new joints off her new album called The Prelude this in-house Wu-Tang vocalist can hit some heavenly notes check her out.

DOWNLOAD: Tekitha – Bitter Sweet

{audio}http://crypt.hiphopheads.org/files/Tekitha%20-%20Bitter%20Sweet.mp3{/audio}

DOWNLOAD: Tekitha – Alone

{audio}http://crypt.hiphopheads.org/files/Tekitha%20-%20Alone.mp3{/audio}