
ps: im not going to be approving comments about this blog. i didn’t write it to rally people against anyone or to create “sides”.
ps: im not going to be approving comments about this blog. i didn’t write it to rally people against anyone or to create “sides”.
ps: im not going to be approving comments about this blog. i didn’t write it to rally people against anyone or to create “sides”.
Two of Hip-Hop’s Most Respected Lyricists Together For the First Time
“We’re gonna get you, cause you’re faking and our funk’s official”
-Del, “Gaining Ground”
It ain’t that competition is missing… it’s just that no one’s kicking it clever”
– Tame One, “We Taking Over”
Remember the old-school Marvel Team-Up comic book which paired, say, Spider-Man with Thor, Wolverine with the Human Torch, or the Hulk and Daredevil? In the spirit of those classic collaborations, Gold Dust announces Parallel Uni-Verses, a joint effort between Hieroglyphics founder Del The Funky Homosapien and original Artifacts emcee Tame One. Produced entirely by Parallel Thought, the album’s ten tracks return to a time when inventiveness, creativity, funky beats—and, above all, lyricism—ruled hip-hop.
Oakland’s Del The Funky Homosapien is one of the creators of the alternative rap genre, a perennial fan favorite who, in addition to releasing four solo albums—including 1992’s seminal, gold-selling I Wish My Brother George Was Here–and two group albums with Hieroglyphics, was featured on the Gorillaz’ epononymous, platinum-selling debut and Dan the Automator’s sci-fi-themed concept album Deltron 3030.
Newark’s Tame One is best known as one-half of the Artifacts, a graffiti-writing hip-hop duo active in the mid- and late-90s, whose output includes the classic singles “Wrong Side of Da Tracks” and “The Ultimate.” In recent years, Tame has been a member of two underground supergroups: the Weatherman (with Cage, Camu Tao, and Aesop Rock); and the Leak Brothers (with Cage).
“I’ve known Tame for years,” Del says. “I always thought he was one of the dopest [MCs] out.” Del recalls first linking with Tame around 1993. “We both were kinda like party animals so that’s kinda how I got to liking his personality. He has a good sense of humor, so that’s probably the main reason I liked to be around him. We somewhat kept in touch throughout the years, back and forth, but I always would follow his career.”
“We just always remained cool,” Tame says of Del, adding, “I have ALWAYS been impressed by his wordplay and originality. Rap-wise, neither of us use words only because they rhyme; I believe we both utilize substance as opposed to nonsense.”
This project came about, Tame says, out of a need to “showcase how things used to be done, without the politics of the day, bling-bling aspirations, greed and egos corrupting the hip-hop art form.” An unselfish creative process governed the recording process, with both emcees and the Parallel Thought production team focused on using the best of today’s technology, while still keeping an old-school formula. “It was done very James Brownish, if you can dig that,” Del says. “James did everything by feel. If it felt right, then that’s what it was, and Tame is very much like that.”
For Tame, the entire album is a testament to what he calls a “grassroots” hip-hop aesthetic, which stands out over other contemporary rap releases “because of the sonic quality and clarity of the samples and our vocal performances.” Asked to name his favorite tracks on the album, Del says, “man, you asking the wrong person. I don’t play favorites. I like each joint for different reasons and they all have they place. I’ll let the public decide which ones they may favor, smell me?”
Parallel Uni-Verses is that rare rap album which transcends tired clichés and maintains traditional hip-hop values without seeming retro or passé. “Man, I ain’t even gonna be egotistical like that and try to say that we are trying to usher in some new revival of whatever,” Del says. However, he adds, “I’m a say this: we ARE the element that is missing, not [just] because I said so. That’s what’s up; we didn’t sell out for all the luxury and monetary gains. The original ways, we kept at and built upon those.”
Proving that true lyricism is alive and well, Parallel Uni-Verses is another feather in the cap for Del and Tame, two prolific and highly-respected artists upholding the hip-hop art form at its best—and holding their own in 2009.
For More Information, Check Out:
http://www.golddust-media.com
http://www.myspace.com/delthefunkyhomosapien
http://www.myspace.com/tameoneboomskwad
Two of Hip-Hop’s Most Respected Lyricists Together For the First Time
“We’re gonna get you, cause you’re faking and our funk’s official”
-Del, “Gaining Ground”
It ain’t that competition is missing… it’s just that no one’s kicking it clever”
– Tame One, “We Taking Over”
Remember the old-school Marvel Team-Up comic book which paired, say, Spider-Man with Thor, Wolverine with the Human Torch, or the Hulk and Daredevil? In the spirit of those classic collaborations, Gold Dust announces Parallel Uni-Verses, a joint effort between Hieroglyphics founder Del The Funky Homosapien and original Artifacts emcee Tame One. Produced entirely by Parallel Thought, the album’s ten tracks return to a time when inventiveness, creativity, funky beats—and, above all, lyricism—ruled hip-hop.
Oakland’s Del The Funky Homosapien is one of the creators of the alternative rap genre, a perennial fan favorite who, in addition to releasing four solo albums—including 1992’s seminal, gold-selling I Wish My Brother George Was Here–and two group albums with Hieroglyphics, was featured on the Gorillaz’ epononymous, platinum-selling debut and Dan the Automator’s sci-fi-themed concept album Deltron 3030.
Newark’s Tame One is best known as one-half of the Artifacts, a graffiti-writing hip-hop duo active in the mid- and late-90s, whose output includes the classic singles “Wrong Side of Da Tracks” and “The Ultimate.” In recent years, Tame has been a member of two underground supergroups: the Weatherman (with Cage, Camu Tao, and Aesop Rock); and the Leak Brothers (with Cage).
“I’ve known Tame for years,” Del says. “I always thought he was one of the dopest [MCs] out.” Del recalls first linking with Tame around 1993. “We both were kinda like party animals so that’s kinda how I got to liking his personality. He has a good sense of humor, so that’s probably the main reason I liked to be around him. We somewhat kept in touch throughout the years, back and forth, but I always would follow his career.”
“We just always remained cool,” Tame says of Del, adding, “I have ALWAYS been impressed by his wordplay and originality. Rap-wise, neither of us use words only because they rhyme; I believe we both utilize substance as opposed to nonsense.”
This project came about, Tame says, out of a need to “showcase how things used to be done, without the politics of the day, bling-bling aspirations, greed and egos corrupting the hip-hop art form.” An unselfish creative process governed the recording process, with both emcees and the Parallel Thought production team focused on using the best of today’s technology, while still keeping an old-school formula. “It was done very James Brownish, if you can dig that,” Del says. “James did everything by feel. If it felt right, then that’s what it was, and Tame is very much like that.”
For Tame, the entire album is a testament to what he calls a “grassroots” hip-hop aesthetic, which stands out over other contemporary rap releases “because of the sonic quality and clarity of the samples and our vocal performances.” Asked to name his favorite tracks on the album, Del says, “man, you asking the wrong person. I don’t play favorites. I like each joint for different reasons and they all have they place. I’ll let the public decide which ones they may favor, smell me?”
Parallel Uni-Verses is that rare rap album which transcends tired clichés and maintains traditional hip-hop values without seeming retro or passé. “Man, I ain’t even gonna be egotistical like that and try to say that we are trying to usher in some new revival of whatever,” Del says. However, he adds, “I’m a say this: we ARE the element that is missing, not [just] because I said so. That’s what’s up; we didn’t sell out for all the luxury and monetary gains. The original ways, we kept at and built upon those.”
Proving that true lyricism is alive and well, Parallel Uni-Verses is another feather in the cap for Del and Tame, two prolific and highly-respected artists upholding the hip-hop art form at its best—and holding their own in 2009.
For More Information, Check Out:
http://www.golddust-media.com
http://www.myspace.com/delthefunkyhomosapien
http://www.myspace.com/tameoneboomskwad
Two of Hip-Hop’s Most Respected Lyricists Together For the First Time
“We’re gonna get you, cause you’re faking and our funk’s official”
-Del, “Gaining Ground”
It ain’t that competition is missing… it’s just that no one’s kicking it clever”
– Tame One, “We Taking Over”
Remember the old-school Marvel Team-Up comic book which paired, say, Spider-Man with Thor, Wolverine with the Human Torch, or the Hulk and Daredevil? In the spirit of those classic collaborations, Gold Dust announces Parallel Uni-Verses, a joint effort between Hieroglyphics founder Del The Funky Homosapien and original Artifacts emcee Tame One. Produced entirely by Parallel Thought, the album’s ten tracks return to a time when inventiveness, creativity, funky beats—and, above all, lyricism—ruled hip-hop.
Oakland’s Del The Funky Homosapien is one of the creators of the alternative rap genre, a perennial fan favorite who, in addition to releasing four solo albums—including 1992’s seminal, gold-selling I Wish My Brother George Was Here–and two group albums with Hieroglyphics, was featured on the Gorillaz’ epononymous, platinum-selling debut and Dan the Automator’s sci-fi-themed concept album Deltron 3030.
Newark’s Tame One is best known as one-half of the Artifacts, a graffiti-writing hip-hop duo active in the mid- and late-90s, whose output includes the classic singles “Wrong Side of Da Tracks” and “The Ultimate.” In recent years, Tame has been a member of two underground supergroups: the Weatherman (with Cage, Camu Tao, and Aesop Rock); and the Leak Brothers (with Cage).
“I’ve known Tame for years,” Del says. “I always thought he was one of the dopest [MCs] out.” Del recalls first linking with Tame around 1993. “We both were kinda like party animals so that’s kinda how I got to liking his personality. He has a good sense of humor, so that’s probably the main reason I liked to be around him. We somewhat kept in touch throughout the years, back and forth, but I always would follow his career.”
“We just always remained cool,” Tame says of Del, adding, “I have ALWAYS been impressed by his wordplay and originality. Rap-wise, neither of us use words only because they rhyme; I believe we both utilize substance as opposed to nonsense.”
This project came about, Tame says, out of a need to “showcase how things used to be done, without the politics of the day, bling-bling aspirations, greed and egos corrupting the hip-hop art form.” An unselfish creative process governed the recording process, with both emcees and the Parallel Thought production team focused on using the best of today’s technology, while still keeping an old-school formula. “It was done very James Brownish, if you can dig that,” Del says. “James did everything by feel. If it felt right, then that’s what it was, and Tame is very much like that.”
For Tame, the entire album is a testament to what he calls a “grassroots” hip-hop aesthetic, which stands out over other contemporary rap releases “because of the sonic quality and clarity of the samples and our vocal performances.” Asked to name his favorite tracks on the album, Del says, “man, you asking the wrong person. I don’t play favorites. I like each joint for different reasons and they all have they place. I’ll let the public decide which ones they may favor, smell me?”
Parallel Uni-Verses is that rare rap album which transcends tired clichés and maintains traditional hip-hop values without seeming retro or passé. “Man, I ain’t even gonna be egotistical like that and try to say that we are trying to usher in some new revival of whatever,” Del says. However, he adds, “I’m a say this: we ARE the element that is missing, not [just] because I said so. That’s what’s up; we didn’t sell out for all the luxury and monetary gains. The original ways, we kept at and built upon those.”
Proving that true lyricism is alive and well, Parallel Uni-Verses is another feather in the cap for Del and Tame, two prolific and highly-respected artists upholding the hip-hop art form at its best—and holding their own in 2009.
For More Information, Check Out:
http://www.golddust-media.com
http://www.myspace.com/delthefunkyhomosapien
http://www.myspace.com/tameoneboomskwad
Tame-One with an unreleased joint called Freedom of Speech produced by Custodian of Records, real nice track Tame is on his A game.
DOWNLOAD: Tame-One – Freedom of Speech
{audio}http://boxstr.com/files/5822901_omgbk/Tame-One-Freedom_of_Speech_Final.mp3{/audio}
Podcast: Play in new window | Download
Subscribe: Apple Podcasts | Android | Email | Google Podcasts | Stitcher | Spotify | RSS
Tame-One with an unreleased joint called Freedom of Speech produced by Custodian of Records, real nice track Tame is on his A game.
DOWNLOAD: Tame-One – Freedom of Speech
{audio}http://boxstr.com/files/5822901_omgbk/Tame-One-Freedom_of_Speech_Final.mp3{/audio}
Podcast: Play in new window | Download
Subscribe: Apple Podcasts | Android | Email | Google Podcasts | Stitcher | Spotify | RSS
Tame-One with an unreleased joint called Freedom of Speech produced by Custodian of Records, real nice track Tame is on his A game.
DOWNLOAD: Tame-One – Freedom of Speech
{audio}http://boxstr.com/files/5822901_omgbk/Tame-One-Freedom_of_Speech_Final.mp3{/audio}
Podcast: Play in new window | Download
Subscribe: Apple Podcasts | Android | Email | Google Podcasts | Stitcher | Spotify | RSS
My god this track is fire! this is off DJ Spinna’s new album called Sonic Smash. DJ Spinna is incredible, and this track proves it. The beat is that straight underground raw shit, from the Japanese twang sample to that filthy bass, oh and the MC collab on this is like 98′ all over again minus the bad tape dub. Breeze’s verse is just stunning id quote some of it but i’ll let Breeze do it… fuck it… “the net worth is networking run around sucking the sound of the next person, yall is on ya grind singing how cuz does it till u gobbling his shine I label them buzz buzzards.” It’s great to see J-Treds back as well I just wish he wasnt so mysterious and put out more than 2 tracks every 5 years.
DOWNLOADS: DJ Spinna ft Breeze Brewin and J-Treds – Making Your Way In The World
{audio}http://crypt.hiphopheads.org/files/DJ%20Spinna%20ft%20Breeze%20Brewin%20and%20J-Treds%20-%20Making%20Your%20Way%20In%20The%20World.mp3{/audio}
Podcast: Play in new window | Download
Subscribe: Apple Podcasts | Android | Email | Google Podcasts | Stitcher | Spotify | RSS
My god this track is fire! this is off DJ Spinna’s new album called Sonic Smash. DJ Spinna is incredible, and this track proves it. The beat is that straight underground raw shit, from the Japanese twang sample to that filthy bass, oh and the MC collab on this is like 98′ all over again minus the bad tape dub. Breeze’s verse is just stunning id quote some of it but i’ll let Breeze do it… fuck it… “the net worth is networking run around sucking the sound of the next person, yall is on ya grind singing how cuz does it till u gobbling his shine I label them buzz buzzards.” It’s great to see J-Treds back as well I just wish he wasnt so mysterious and put out more than 2 tracks every 5 years.
DOWNLOADS: DJ Spinna ft Breeze Brewin and J-Treds – Making Your Way In The World
{audio}http://crypt.hiphopheads.org/files/DJ%20Spinna%20ft%20Breeze%20Brewin%20and%20J-Treds%20-%20Making%20Your%20Way%20In%20The%20World.mp3{/audio}
Podcast: Play in new window | Download
Subscribe: Apple Podcasts | Android | Email | Google Podcasts | Stitcher | Spotify | RSS